Green Means Go is the Fourth installment to my latest project - 'The Enormity of Time'. A series of films in which I explore perception and how perception can be achieved through the piecing together of random thoughts. For example: movement, sound, or environment, which once cataloged in our mind make up memory. A memory which has often times juxtaposed unrelated thoughts resulting in the creation of altered or completely new remembrances of past events in our lives.

Running Time: 3min 25sec

Yellowed Bark is the third installment to my latest project - 'The Enormity of Time'. This film deals with collective perceptions of culture and the role media plays in the construction of that perception. In the film I have intentionally reversed the usual depictions of Black and White culture in America.

'The Enormity of Time' explores perception and how perception can be achieved through the piecing together of random thoughts. For example: movement, sound, or environment, which once cataloged in our mind make up memory. A memory which has often times juxtaposed unrelated thoughts resulting in the creation of altered or completely new remembrances of past events in our lives.

Running Time: 4min 4sec

The second installment to my latest project - 'The Enormity of Time'. This film explores the fine line between reverence and caricature. Propaganda & meaning well. Often times when perception is not re-examined we find ourselves holding up the same images as those we were hoping to get a way from. 

'The Enormity of Time' - explores perception and how perception can be achieved through the piecing together of random thoughts. For example: movement, sound, or environment, which once cataloged in our mind make up memory. A memory which has often times juxtaposed unrelated thoughts resulting in the creation of altered or completely new remembrances of past events in our lives.

Running Time: 2min 1sec

The first film of my latest project - The Enormity of Time.' In this large bodied work I use a series of films to explore perception and how perception can be achieved through the piecing together of random thoughts. For example: movement, sound, or environment, which once cataloged in our mind makeup memory. A memory which has often times juxtaposed unrelated thoughts resulting in the creation of altered or completely new remembrances of past events in our lives.

Running time: 3min 1sec

In this experimental film by Terence E Jackson, Water and Light perform a beautiful duet which results in the birth of energy represented by the changing colors.

Running time: 5min 2sec

After Van Gogh is an experimental film by visionary artist Terence E Jackson featuring a remix of Robert Frosting reading 'The Road Not Taken'.

Running Time: 2min 36sec

Companion video created by Terence E Jackson for his own song 'Children of the Future' taken from his debut CD - 'The Instrument'.

Running Time: 4min 33sec

Trailer for Terence E Jackson's latest film project - TENSE.

Trillions of light years away on an dual planet in a parallel universe, a God has come to contemplate the senseless loss of his immortal paradise - Now slowly dying from centuries of decay brought on by the human's original sin. Thus begins what can only be described as watching a spiritual journey caught on film. Jackson uses image and sound to evoke sincere feelings of reverance and  quiet mediative thinking.

Reminiscent of Brakhage, Tense moves along at a dreamlike pace. Drawing it's viewer quietly in more and more with it's strikingly hypnotic imagery and original score.

Trailer: 3min 17sec

Meditation on the allure of cultural myths, perceptions, & beliefs surrounding African American male virility & sexuality.

Running Time: 2min 39sec

The experimental film 'JAMESTOWN 1619' features  music found on Terence E Jackson's CD - The Instrument

It is late summer. Out of the violent storm appears a Dutch ship. The ship's cargo hold is empty except for twenty or so Africans whom the captain and his crew have recently robbed from a Spanish ship. The captain exchanges the Africans for food, then sets sail.

It's not clear if the Africans are considered slaves or indentured servants. Records of 1623 and 1624 list them as servants, and indeed later records show increrasing numbers of free blacks, some of whom were assigned land. On the other hand, records from gatherings do not indicate the marital status of the Africans (Mr., Miss, etc.) and, unlike white servants, no year is associated with the names--information vital in determining the end of a servant's term of bondage. Most likely some Africans were slaves and some were servants. At any rate, the status of people in bondage was very confusing, even to those who were living at the time. Whatever the status of these first Africans to arrive at Jamestown, it is clear that by 1640, at least one African had been declared a slave. This African was ordered by the court "to serve his said master or his assigns for the time of his natural life here or elsewhere." The terrible transformation of racial slavery was underway.

Running Time: 9min 18sec